Charcoal Character Study Stamp by Maurice Colasson 1911-1992-image
Charcoal Character Study Stamp by Maurice Colasson 1911-1992-image
Charcoal Character Study Stamp by Maurice Colasson 1911-1992-image
Charcoal Character Study Stamp by Maurice Colasson 1911-1992-image

Charcoal Character Study Stamp by Maurice Colasson 1911-1992

$ 34.95

Period: Twentieth and contemporary Brand: Unbranded Type: Drawing MPN: Does not apply gtin13: Does not apply Material: Charcoal Theme: Character Style: 1940-1960 UPC: Does not apply Original/Licensed Reproduction: Original

Description

Drawing Charcoal Etude Character Stamp Maurice Colasson (1911/1992) The description of this item has been automatically translated. If you have any questions, please feel free to contact us. Maurice Colasson , Painter and Cinema Decorator, born in Paris on May 7, 1911, died on October 31, 1992 in Puget-Ville Original charcoal drawing on paper, 1940s/1950s - " Character Study " Stamp Atelier at the bottom - Not Signed Dimensions 41.9 x 29.7 cm - Good general condition - Protected shipment flat, secure packaging (cost included in shipping costs) - Group shipment for same formats Provenance, of a lot of study drawings of bodies and miscellaneous by Maurice Colasson Note: The Frame (Virtual) is not included in the sale, it allows you to see the framed work A graduate of the Beaux-Arts in Paris, Maurice Colasson began his film career as an assistant to Georges Wakhévitch. He was also a theater designer. In 1937, Maurice Colasson built his first sets for the cinema, those of Prison without bars by Léonide Moguy. His naturalistic approach to beings and things enabled him to work for directors such as Yves Allégret (Dédée d'Anvers, 1947; Such a pretty little beach, 1948), Marcel Pagliero (A man walks in the city, 1949; Les amants du Bras Mort, 1950; The Red Rose, 1950). He also designed the sets for films by Jean Dréville (La Reine Margot, 1954; Les suspects, 1956; La Fayette, 1961), Marguerite Duras and Paul Seban (Lamusica, 1966), Terence Young (Mayerling, 1967). Reserved, passionate about painting, he never wanted to be exhibited. Preferring to offer some of his works to his acquaintances in the world of cinema or to his close circle Artist to re-discover.... Dimensions 41.9 x 29.7 cm - Good general condition - Protected shipment flat, secure packaging (cost included in shipping costs) - Group shipment for same formats In 1937, Maurice Colasson built his first sets for the cinema, those of Prison without bars by Léonide Moguy. His naturalistic approach to beings and things enabled him to work for directors such as Yves Allégret (Dédée d'Anvers, 1947; Such a pretty little beach, 1948), Marcel Pagliero (A man walks in the city, 1949; Les amants du Bras Mort, 1950; The Red Rose, 1950). He also designed the sets for films by Jean Dréville (La Reine Margot, 1954; Les suspects, 1956; La Fayette, 1961), Marguerite Duras and Paul Seban (Lamusica, 1966), Terence Young (Mayerling, 1967). Reserved, passionate about painting, he never wanted to be exhibite Dimensions 41.9 x 29.7 cm - Good general condition - Protected shipment flat, secure packaging (cost included in shipping costs) - Group shipment for same formats In 1937, Maurice Colasson built his first sets for the cinema, those of Prison without bars by Léonide Moguy. His naturalistic approach to beings and things enabled him to work for directors such as Yves Allégret (Dédée d'Anvers, 1947; Such a pretty little beach, 1948), Marcel Pagliero (A man walks in the city, 1949; Les amants du Bras Mort, 1950; The Red Rose, 1950). He also designed the sets for films by Jean Dréville (La Reine Margot, 1954; Les suspects, 1956; La Fayette, 1961), Marguerite Duras and Paul Seban (Lamusica, 1966), Terence Young (Mayerling, 1967). Reserved, passionate about painting, he never wanted to be exhibite Style 1940-1960 Authenticité Original Thème Personnage Type Dessin Matériau Fusain Période XXème et contemporain

  1. Arrived safely. Well packaged and speedy. I love both of the paintings and can’t wait to have them framed. I also received 2 other paintings as a gift, from the seller. I would recommend. Thank you

    tim6e6e1a5ee

  2. Emballage parfait et soigneux, la lithographie est juste magnifique. Je recommande vivement ce vendeur. L’envoi était également très rapide.

    Mrottenedbac

  3. La simplicité de la communication la rapidité de l' envoi ainsi que l' emballage qui protège parfaitement la gravure

    Aiko Allmäe0

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