Charcoal Drawing Trees Studio Stamp by Maurice Colasson-image
Charcoal Drawing Trees Studio Stamp by Maurice Colasson-image
Charcoal Drawing Trees Studio Stamp by Maurice Colasson-image
Charcoal Drawing Trees Studio Stamp by Maurice Colasson-image

Charcoal Drawing Trees Studio Stamp by Maurice Colasson

$ 34.95

MPN: Does not apply Period: Twentieth and contemporary Original/Licensed Reproduction: Original Style: 1940-1960 Material: Charcoal Type: Drawing Theme: Character UPC: Does not apply gtin13: Does not apply Brand: Unbranded

Description

Charcoal Drawing Trees Studio Stamp Maurice Colasson The description of this item has been automatically translated. If you have any questions, please feel free to contact us. Maurice Colasson , Painter and Cinema Decorator, born in Paris on May 7, 1911, died on October 31, 1992 in Puget-Ville Original charcoal drawing on paper, 40/50 - " Trees "" Bottom workshop stamp - not signed From a series of drawings on trees, often in wetlands, perfect mastery of the blurring that characterizes this artist ... Dimensions 41.9 x 29.7 cm - Good general condition - Flat protected shipment, secure packaging (cost included in shipping costs) - Group shipping for the same formats Provenance, from a batch of body study drawings and miscellaneous by Maurice Colasson Note: the frame (virtual) is not included In the sale, it allows you to see the supervised work A graduate of the Beaux-Arts in Paris, Maurice Colasson began his career in cinema as an assistant to Georges Wakhévitch. He was also a theater designer. In 1937, Maurice Colasson built his first sets for the cinema, those of Prison without bars by Léonide Moguy. His naturalistic approach to beings and things allowed him to work for directors like Yves Allégret (Dédée d'Anvers, 1947; Une si pretty petite plage, 1948), Marcel Pagliero (Un homme marche dans la ville, 1949; Les amants du Bras-Mort, 1950; The Red Rose, 1950). He also created the sets for the films of Jean Dréville (La Reine Margot, 1954; Les Suspects, 1956; La Fayette, 1961), Marguerite Duras and Paul Seban (Lamusica, 1966), and Terence Young (Mayerling, 1967). Of a reserved character, passionate about painting, he never wanted to be exhibited. Preferring to offer some of his works to his acquaintances in the world of cinema or to his close circle Artist to re-discover.... Dimensions 41.9 x 29.7 cm - Good general condition - Flat protected shipment, secure packaging (cost included in shipping costs) - Group shipping for the same formats In 1937, Maurice Colasson built his first sets for the cinema, those of Prison without bars by Léonide Moguy. His naturalistic approach to beings and things allowed him to work for directors like Yves Allégret (Dédée d'Anvers, 1947; Une si pretty petite plage, 1948), Marcel Pagliero (Un homme marche dans la ville, 1949; Les amants du Bras-Mort, 1950; The Red Rose, 1950). He also created the sets for the films of Jean Dréville (La Reine Margot, 1954; Les Suspects, 1956; La Fayette, 1961), Marguerite Duras and Paul Seban (Lamusica, 1966), and Terence Young (Mayerling, 1967). Of a reserved character, passionate about painting, h Authenticité Original Type Dessin Période XXème et contemporain Matériau Fusain Style 1940-1960 Thème Personnage

  1. Arrived safely. Well packaged and speedy. I love both of the paintings and can’t wait to have them framed. I also received 2 other paintings as a gift, from the seller. I would recommend. Thank you

    tim6e6e1a5ee

  2. Emballage parfait et soigneux, la lithographie est juste magnifique. Je recommande vivement ce vendeur. L’envoi était également très rapide.

    Mrottenedbac

  3. La simplicité de la communication la rapidité de l' envoi ainsi que l' emballage qui protège parfaitement la gravure

    Aiko Allmäe0

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